Artist Statement

Speculative Abstract Rainbow-scapes.

Working in acrylic on canvas or hardwood panels, I make paintings that are simultaneous. The poetic titles of my paintings act as a door into the work and provoke multiple meanings.

My work is a portal into another way of seeing the natural world, one of flux and interconnection, an encounter both destabilized and unified. My paintings are ecological and cosmological, depicting different scales and perspectives from various subject orientations. These paintings disrupt singular notions of subject/object. I present emergence, simultaneity, relationship, and multi-directional flows.

While working, I remain on the edge between mapping an image or landscape and being receptive to that which arises through process. This edge is generative, spontaneous, and dynamic. I work with both the specificity of place and the abstractness of nature and phenomenon. I think about climate change, natural and environmental disasters, and the supernatural through process-responsive gestural painting.

The accretion and variety of marks within my paintings coalesce to create an ecology. This ecology of marks describes various emotional, physical, and hidden material qualities of the landscape. My methodology is cosmological.

My current series, under the working title, “Natural/Human Disasters” explores the interconnection of human and geologic Earth shaping forces. My bold and complex paintings explore the human caused destruction of nuclear bombs and mass-scale weaponry, mining, and oil spills alongside phenomena like lightning, volcanoes, floods, tsunamis, and earthquakes. These paintings are chaotic and harmonious imaginary landscapes of the Anthropocene.

Simultaneously looking at the tension between environmental destruction and ecological wholeness, my work is always on the side of nature’s doubtless awesome vitality, grounded in the majesty of mountains and the magic of rainbows.



Jennifer Lord is an artist and teacher. She received her Bachelor of Arts from Naropa University in Visual Arts and T’ai Chi Ch’uan. She studies and teaches T’ai Chi Ch’uan with Rocky Mountain T’ai Chi Ch’uan. She is a student of Sogetsu Ikebana with Kalapa Ikebana. Lord’s most recent events include, a solo exhibition at JuiceBox Gallery, a solo exhibition at Alto Gallery, a group show at Union Hall, and digital video collaboration with Noah Travis Phillips  published online by RealityBeach.org and exhibited at Sluice in London. She has a forthcoming collaboration with the MÚSED fashion house. Lord exhibited ikebana in the 2018 annual Sogetsu Ikebana Spring Show in Denver, Colorado and in 2018 and 2019 in the annual Ikebana and Ikenobo Grand Exhibition. Lord’s collaboration TEAM-UP! with Noah Travis Phillips will be published by +4 Press. She lives, works, and teaches in Boulder, Colorado. Her work is held in several private collections. “Bigger View(s): Earth, Anthropocene, Beauty,” an exhibition curated by Lord and set to open March 27, 2020 is currently on hold due to COVID-19. A digital version of Bigger View(s) can be seen at: bit.ly/biggerviews .


email: juniperlord at gmail dot com